It also happens to be an exceptionally good RAW converter, producing noticeably crisper detail and less noise than Adobe Camera Raw, for example.īut it is quite inflexible.
#DXO OPTICS PRO VS LIGHTROOM SOFTWARE#
The software identifies your camera and lens from the embedded shooting (EXIF) data and selects and applies the right correction profile automatically, leaving you with almost nothing to do. You'll find out just how much distortion and corner shading your lenses produce, and you'll see how much better your pictures look without chromatic aberration –this often 'colours' fine details more than you think.
The first time you use DxO Optics Pro you're in for a shock. See DxOs up-to-date chart of the exact lenses and cameras covered here. All these were ‘one off’ tests so there may be differences between runs or with different images. DxO Optics Pro Elite works with all those, as well as pro cameras like the Nikon D2Xs and Canon 5D and 1Ds. Photlab 3.1 from DxO is essentially a raw editor, living in a similar space to Lightroom, Luminar 4, On1, Capture One, and Affinity Photo, to name the most prominent editors. while the DxO Optics Pro 11 did better than before: ORF TIFF16 time 29 sec ORF JPEG (95) time 23 sec I dont have After Shot Pro on the Thinkpad. If we could add a feature, we'd like localised adjustment tools so that you don't have to migrate to other applications for further enhancements, and more localised contrast with heavy Smart Lighting adjustments DxO Optics Pro Standard works the fixed-lens cameras, and DSLRs like the Nikon D80, D70, D200 and Canon Rebels and 30D.
#DXO OPTICS PRO VS LIGHTROOM TRIAL#
VerdictĭxO Optics Pro 9 offers superb lens corrections, clean and sharp raw conversions, powerful highlight and especially shadow recovery, one-click 'intelligent' corrections that often need no further work Of course, DxO Optics Pro is currently well into Version 9, but if you’ve never played around with the software and you’re not keen on downloading a 31-day free trial of 9, this is a great way. This does feel more intuitive and saving out individual photos as converted image files is much simpler – though if you were used to the older versions, you might feel as if it's change for change's sake.įinally, DxO says Optics Pro 9 has been made faster, and it certainly does seem a little more responsive than previous versions. It adds some impressive adjustment tools. Instead, you export images via a button in the bottom right corner. DxO Optics Pro 7 will get the best possible results from camera raw files, doing the best job of removing image noise and chromatic aberration we've seen. If you're familiar with previous versions, you'll notice one further change there's no longer an Export tab. The interface has been redesigned to be both simpler and more efficient, and DxO has reorganised the tools palettes in the right sidebar. DxO Optics Pro 9 can now display 'visual' presets – you can see the effect a preset conversion will have on your image before you apply it. The other main changes relate to the interface and the workflow. It does reduce 'hotspots', but the regular version actually looks just a little better in this instance Visual presets
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